Rick Callender is from Miami, Florida and began his training with Marta Mahr School of Ballet and New World School of the Arts. He then moved to Seattle to study at the Pacific Northwest Ballet School. He later took a position with the Washington Ballet in Washington, DC. After working at the Fort Worth Dallas Ballet (Texas Ballet Theatre) for five seasons, he moved to Philadelphia. Rick has also danced with the Suzanne Farrell Ballet Company, Pennsylvania Ballet, Ballet X, Miro Dance, Jeanne Ruddy Dance, and many others in the Philadelphia area. He has gotten to perform many wonderful roles and has enjoyed performing around the world. Rick has been guesting with Brandywine since 2008, and has been a full-season member since 2014. Some of his highlights with the Company include The Beast in Beauty & The Beast, Jonathan in Dracula, Carmina Burana, and Prince Desire in Sleeping Beauty.
Joe Cotler - Guest Dancer
Joe Cotler grew up in Batavia, NY, and trained at his mother Robin Cotler’s dance studio, Images in Dance. He graduated from the University of the Arts in 2009. While at school, he had the opportunity to work with numerous choreographers, including Ronen Koresh and Paul Selwyn-Norton. Mr. Cotler has been a guest dancer with Brandywine Ballet since 2008. Some of Joe’s favorite roles with Brandywine are Snow King and Arabian in The Nutcracker. In addition to performing, he also teaches and choreographs for numerous studios in the Philadelphia area. Mr. Cotler has been a member of Koresh Dance Company in Philadelphia since 2009 and is delighted to perform with Brandywine Ballet.
Tim Early is celebrating his 26th consecutive season with Brandywine Ballet as a Principal Dancer. In addition to performing, Tim has choreographed for the Company, and has been on faculty at The Dance Center, the official school of the Brandywine Ballet. Beginning in 2018, Tim also began a position as the Production Manager with Brandywine Ballet, working to coordinate all of the company's performance efforts. Highlights with the Company have been his performances in Nancy Page’s Dracula, Ronen Koresh’s Beyond the Steps, Balanchine’s Serenade, and Eddy Touissant’s Souvenance. Together with Donna L. Muzio, Mr. Early founded Brandywine Contemporary, the modern-based arm of Brandywine Ballet. He is co-director of the Philadelphia-based modern company Opus I Contemporary. He has choreographed for Lafayette College, Moravian College, and West Chester University. In addition, Mr. Early has headed the dance department at Wyoming Seminary Summer Arts Program in Wilkes-Barre, PA, for the past 20 years.
Matthew found his love for dance at the age of 8. He trained at Horizons Dance Conservatory for 6 years and previously with Melanie Wright and Berks Ballet Theatre. Matthew is trained in all genres but finds his true passion in ballet and contemporary. Matthew also attended the Pennsylvania Regional Ballet and the Joffrey New York City Jazz & Contemporary Intensives on scholarships. His solo choreography & performance "Head vs. Heart" was showcased in Philadelphia at the Kun-Yang Lin/Dancers Inhale Performance Series. Matthew is very excited for his first season with Brandywine bBallet.
Edward Barnes - Guest Dancer
Edward Barnes was raised in Honolulu, Hawaii. He began his dance training at age 5. He continued his training under David Drummond, Angela Carter, and William Pizzuto at Ballet New England in Portsmouth, New Hampshire. At 14 he was selected by Michael Owen to train on scholarship at Walnut Hill in Natick Massachusetts. He finished his training in Carlisle, Pennsylvania at Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary, Darla Hoover, Leslie Hench, and Laszlo Berdo. Upon graduation, he joined Pacific Northwest Ballet's Professonal Division where he performed with the main company in George Balanchine's Prodigal Son, Square Dance, and Ballet Imperial. Mr. Barnes then joined Pennsylvania Ballet, where he danced for 8 seasons, performing Principal parts in George Balanchine's, Emeralds, The Four Temperaments, Serenade, and The Nutcracker, as well as premiering Principal parts in William Forsythe's In The Middle Somewhat Elevated, Jiri Kylian's Petit Mort, and Christopher Wheeldon's Danses a Grand Vitesse. He concluded his last professional season in April 2017 dancing with The Sarasota Ballet as a Coryphee. While there, he performed Principal parts in Antony Tudor's Continuo, George Balanchine's Emeralds and Valse Fantaisie, and Jerome Robbins' Fancy Free. He currently resides in New York City.
Amanda Hill trained privately with Natasha Bar starting at the age of eight. Along with the excellent training she received from Natasha, Amanda attended various summer programs including The Rock School, NYSSSA, Miami City Ballet, Boston Ballet, Kaatsbaan and the School of American Ballet. She also competed in ballet competitions such as Youth America Grand Prix, where she was awarded 1st place in the Senior Division Semifinals. To further her education, Amanda attended the University of the Arts in Philadelphia as a ballet major on presidential scholarship and graduated with honors. While attending college and working towards her BFA, she performed with the Pennsylvania Ballet in their productions of George Balanchine's The Nutcracker (2010, 2012), and La Fille Mal Gardee, as well as joining the Company on their tour to the National Arts Center in Ottawa, Canada. After graduating college Amanda joined BalletFleming in Philadelphia, where she danced for three seasons. She danced principal roles in many of their productions including the title role in Snow White. Amanda joined Brandywine Ballet in 2016, and enjoyed performing roles including Celestial Being in Beauty & The Beast, and Snow Queen and Dew Drop Fairy in The Nutcracker.
Jaime Lennon Louis
Jaime Lennon Louis began her training at The Dance Center under the direction of Donna L. Muzio when she was seven years old. She has been a member of Brandywine Ballet Company for 18 years. Ms. Louis is currently a principal dancer with Brandywine Ballet Theatre and has danced many leading roles, including Mina and Lucy in Nancy Page's Dracula, the leading female role in Nancy Page's Voices, Sugar Plum Fairy in The Nutcracker, Aurora in Sleeping Beauty, Beauty in Beauty & The Beast, and the Dark Angel in George Balanchine’s Serenade, among others. She graduated in 2010 from West Chester University with a B.A. in Communication Studies and Brandywine Ballet’s Certificate in Ballet. Jaime was a member of the Philadelphia-based contemporary ballet company BalletX from 2010 to 2014. During her time with BalletX, Jaime performed at the prestigious Vail International Dance Festival and at the The Joyce Theater in NYC. She has had works created on her by numerous choreographers including Nancy Page, Matthew Neenan, Jodie Gates, and Nicolo Fonte.
Andrea Olazagasti began her dance training at Delaware Dance Company at the age of nine. Before graduating, she spent her final year studying at the Central Pennsylvania Youth Ballet. Ms. Olazagasti went on to dance for the Louisville Ballet and Festival Ballet Providence where she had the privilege working with choreographers such as Lila York, Viktor Plotnikov and others. From 2010-2015 Ms. Olazagasti danced with First State Ballet Theatre under the direction of Pasha Kambalov. There she danced soloist and leading roles such as, Myrta and Peasant Pas de Deux from Giselle, Pas de Trois from Swan Lake, Blue Bird from The Sleeping Beauty and Cupid from Don Quixote. Ms. Olazagasti also had works created on her including Helena from A Midsummer Night’s Dream and Evil Step sister from Cinderella. In the 2013 Valentina Kazlova IBC, Ms. Olazagasti and her partner were awarded with best interpretation of the compulsory contemporary piece by Paolo Arrias of Boston Ballet. Ms. Olazagasti had the pleasure of dancing for Brandywine Ballet professinally beginning in 2015.
Originally from Kennett Square, PA, Emily Royce received her professional training at The Dance Center under the tutelage of Donna L. Muzio. Ms. Royce has attended summer programs at the Richmond Ballet, Joffrey Ballet, and Brandywine Ballet where she first joined as a company member in 2001. During her time with Brandywine Ballet, Ms. Royce has had the opportunity to perform the company's diverse repertoire including works by George Balanchine, Matthew Neenan, Leslie Browne, and Ronen Koresh, among others. Outside of the studio, Ms. Royce is a Certified Anti-Money Laundering Specialist and Operational Risk Consultant with Wells Fargo, and she is delighted to be returning to Brandywine Ballet once again.
Elizabeth Strenge is originally from Yardley, Pa and began her dance training with the Princeton Ballet School in New Jersey. She eventually attended BalletMet’s pre-professional program in Ohio where she understudied and performed company roles. In 2012 she joined Columbia Classical Ballet in South Carolina, performing in ballets such as Swan Lake, La Bayadere, Don Quixote, Etudes, Sleeping Beauty, and others. She returned to Pennsylvania in 2014 to train and apprentice with the Pennsylvania Academy of Ballet under the direction of John White and Margarita De Saa dancing lead and soloist roles in such ballets as La Boutique Fantasque, Paquita and The Nutcracker; and in 2016 she joined Ballet 180.
Sydney Bennett has been studying dance for 11 years at The Dance Center under the direction of Donna L. Muzio. She joined Brandywine Ballet Company at age 12 and quickly was accepted into Brandywine Ballet Theatre shortly after. While with the company Ms. Bennett has been cast in all classic, neo-classic and contemporary pieces in the Brandywine Ballet repertoire, highlighted by Dew Drop Fairy and Arabian from The Nutcracker, Lucy in Nancy Page's Dracula, as well as a featured role in Balanchine’s Serenade. She has also danced soloist roles in Nancy Page’s Carmina Burana and Meredith Rainey’s Make Haste Slowly. In addition to performing, Sydney is on faculty at The Dance Center as well as a Rehearsal Assistant with Brandywine Ballet. Her innovative choreography has been featured in many of The Dance Center’s Student Recitals, Chester County Dance Festival, and Brandywine Ballet’s Summer Program Performance.
Krista Pinkerton began her training at the Pennsylvania Dance Institute and joined Dance Del Bello as a company member in 2011. She then continued her training at The University of the Arts in Philadelphia on Scholarship. Krista recently completed a one-year Traineeship at American Repertory Ballet in Princeton, NJ and performed in their productions of The Nutcracker, Sleeping Beauty, and Our Town. In 2014, Krista began the Professional Training Program at Ballet Central New Jersey where she performed in their production of The Nutcracker as the Sugar Plum Fairy and other soloist and principal roles in their productions of Les Sylphides, Carmen, Etudes, Sleeping Beauty, Les Patineurs, Tchaikovsky Piano Concerto No.1, Paquita, Aladdin and Giselle. Krista also competed in the Youth American Grand Prix Competition in Philadelphia. Krista joined Brandywine Ballet in the 2016-17 Season and has since performed in their productions of Colour Brillante, Dracula, The Nutcracker, Sleeping Beauty and Beauty & The Beast, and she is looking forward to another season.